Laval tells a simple ticket story about dreaming - that

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India arrived at the premiere of the second season of theater anniversary last Friday staged Gioachino Rossini's "La Cenerentola" ("La Cenerentola", 1817). Librettist Jacopo Ferretti "Cinderella" ticket story, which is the protagonist of the opera La Cenerentola, or Angelina immediately at the beginning of the song "Once there was a king" ("Una volta un c'era Re") tells lies, has little resemblance to Charles Perrault's well-known fairy tale collection "Haneema stories' ticket ( "Contes de ma Mère l'Oye", 1697).
Laval tells a simple ticket story about dreaming - that's singing "Cinderella" reverie, and the whole opera is Cinderella's dream, which begins and ends with the song "Once there was a king." Opera is closely sprinkled with references to dreaming, and the composer has composed a lot of confusion, giving the impression that all the characters will realize their unreality. Unlike the work of a tale told at the end of the stage, however, that all dreams do not come true, and all Tuhkatriinud not get the prince in marriage, ticket but are tuhasesse bottom corner.
For the first time in Estonia audience in the opera production was youthfully cheerful and energetic. "Cinderella" is one of Rossini's operas, which do not allow themselves to suppress a certain style of corset. This is a tragic tinge of opera buffa (comic opera), imejutu ticket elements of comedy, or fable, in which all the characters are headed prince Don Ramiro teacher Alidoro. How often can laugh to tears by an opera performance at the time? I got it on Friday.
The production and the Dutchman Michiel Dijkemalt Sets and costumes by Claudia Dammilt. The two-act visual image was quite similar - Lilies tapestried rooms of Cinderella and her half-sisters at home, and similar elements in the space of Salerno prince Don Ramiro castle. Static Sets, which was a mixture of modern and past or muinasjutulisusest reality and helped to better highlight the characters from coming to pass. Although Rossini and Ferretti did not write the opera fairy supernatural elements that were in the play-flying stoves ticket and walking armchairs in the form below.
Create muinasjutulisust emphasized characters costumes - a mixture of õukonnariietuse allegory ticket of contemporary practice clothes. The play was one of the central keywords to detail, from the clap, which erases the fire hall until massiliikumisteni. Called on the audience to scream out just the inherent humor in the little things.
Friday Evening ensemble comprised of singers of the younger generation of soloists. Most were highlighted by Kristina Cancer and July Flower Don Magnifico and his daughters Clorinda and Tisbe Juhan Tralla Salerno ticket prince Don Ramiro. The first attempted to stage his nimble movements of the eye and ear, and the naive state with a memorable game. His daughters, seconded Monte Fiasco baron's Don Magnifico Rauno Elp. Those Trio remained very uniform look. Juhan Tralla charmed his beautiful tenors. Unfortunately, it was not Tral